Thinest Spawn McSays:
I was minding my business about Bards recently, since I got sort of burned out on the 2d6 Bard, and I think Beedo and Carter are onto a good thing with the LotFP Specialist Bard. And I'm not against bards fundamentally. I started up a new character in the ConstantCon session the other night, Chundarr the BardBarian. He's an S&W fighter, and since he had no cash he doesn't even have an instrument. But that's the fun. How do you have a Bard when there's just no such thing as a Bard in the system and you're not going to make one up? What a quandary!
No quandary at all, says I! I'm just going to play him as a Bard and be as bardly as possible in every fight and the bonus is not in PC morale or to-hit bonuses, but in human-being player morale, a.k.a.: fun, laughter, camaraderie, nonsense, a good time. I spent a great deal of time in the last session thrusting a giant bat carcass on a stick in the faces of our foes, which is in-game barbaric and meta-game hilarious nonsense. I daresay it was BardBaric. Chundarr is learning to be a taunting monster puppeteer. We don't need rules for that. I don't anyway.
At any rate, there's this outstanding question in the blogosphericon about how a Bard playing a harp (or lute or whatever) can inspire anybody in a fight. Well, this may not be fight music, but this guy David Snell has the range that your classic Bard Harpist would need to be a real bad-ass. Check it out:
Maybe this works better at the tavern than in the dungeon, but even so he's not messing around with that harp.
Circe’s Palace
35 minutes ago
"We don't need rules for that. I don't anyway." - hear hear! :D
ReplyDeleteVery inspiring. The best approach to the bard class I've ever come across.
Yes, I agree with this philosophy: THE BARD SHOULD BE ROLE-PLAYED.
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